Dasru has returned to Jharkhand from Mumbai after five years with the lactating baby girl tied on his back with his wife's saree. The girl cannot speak. But, Dasaru is talking to him. What are the things? In the shade of those green trees, sitting right in front of the swing, he used to sing Jhumru songs with his wife while talking about Mahua and Palash flowers. Those rivers in which his wife had a great desire to take a dip. But, in just five years, there were neither green trees nor that river. Dasaru himself answers his questions about not seeing the river, they must have made it disappear somewhere here after building a dam. Then a giant dam is seen across the screen. In the right corner of the frame, Dasru is seen lighting a fire with wood collected from the forest, roasting the fish caught in the flowing stream on the fire, and feeding the meat to his daughter 'Joram'. The background of the story is development. This is the real picture of this development on the surface. And, the name of this mirror is the film ‘Zoram’.
Commendable film of Zee Studios
The film 'Zoram' is a true picture of that period of the country, in which even talking about the damage being done to the environment in the name of development is a 'crime'. People also forget the stories of laborers trapped in tunnels after a few days. Then people neither come to theaters to watch 'Mission Raniganj' nor 'Zoram'. To avoid repeating the mistake made in this year's most amazing film 'Sirf Ek Banda Kaafi Hai', Zee Studios has decided to take 'Zoram' to theatres. Before the press show of the film, its marketing head Neeraj Joshi tells everyone that on the one hand, his company is making 'Gadar 2' and on the other hand, he also has films like 'Zoram' in his sights. For his dedication to cinema to continue, such films must continue. This is an indication that he is ready to take risks in the profit-oriented cinema business, provided that the audience also comes out of their homes and comes to the theaters, who have spent the last six days of their lives calling Sandeep Reddy Vanga 'the most ridiculous film director' Are. Foreign cinema is a cinema divided into segments, where films are made for the target audience. In India, these intellectual audiences want every film of their choice, which is no longer possible in the changing times.
The true picture of development politics
Well, coming back to the film ‘Zoram’. This film, which weighs the leaders of the dalam and the area on a scale fighting the battle of water and forest, is going to touch the heart of every person who has felt the politics of development around his village, town, and city. Maoists publicly hung a young man upside down who was inciting the tribals to sell their land to a steel company and tore off his skin with a stick studded with nails. He wants to make an 'example'. When the son dies, his mother sets out to take revenge on the Maoists. Dasru was also once in the jungle party. After this disgusting incident, he runs away from the city. But, the revenge of the mother who has become insensitive after losing her son follows him there. After this, the film is spent in Dasru running away with his infant daughter, battling the system of the Mumbai Inspector who is after him, and showing the real picture of the development in Jharkhand.
Devashish Makhija's best cinema
If you want to watch the film 'Zoram' for pure entertainment then stay away from it because, in the name of entertainment, people watch 'Animal' and try to find social commitment in it. And, such audiences will come to seek entertainment in 'Zoram', a film made to show social commitment. This is the biggest tragedy of cinema in the new century. It fails to convey to the audience the very intention with which it is made. Devashish Makhija, the maker of 'Zoram', is one of the few film directors who started his career with Yash Raj Films and has dared to come out of this biggest mill of masala films and sell 'organic flour'. But, he believes in growing his crops. It also contains cow dung manure and insecticide made by boiling neem leaves. There are no chemicals in his cinema, so there is no such thing here either. Coming from 'Unga' to 'Bhosale' to 'Joram' is such a victory of Devashish's cinema, the only people who applaud it are those who still have respect for cinema.
Chakravyuh of village to city, city to village
The film ‘Zoram’ successfully manages to keep the audience on their toes. This film may also be successful in making the blood of those who become cinema experts by watching commercial cinema run to the brain instead of the heart and if this is possible then this film can also become a superhit. A stump of a giant tree standing amidst iron mines is the biggest image of this film. It looks like the same tree on which Madvi was hanged upside down. Around this time the story reaches its conclusion but Dasru's story is not over yet. He is still running. Just like a large section of this country is running away. He runs away from the village and comes to the city to earn a living. Then he gets oxygen with 500 IQ and he again runs towards the village. This time the villagers are sitting in ambush. For him, everyone coming from the city is just a 'victim', because like Samson of 'Joram', he too has to support his family and also stay alive. Crores of people in this country want to return to their villages. They are also ready to appeal to the 'government' there to pardon themselves. Honest but overburdened government employees like Ratnakal Bagul are ready to help them, but every change is stuck somewhere 'above'. And, above there are the same people as Phulo Karma of 'Joram'.
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